This LitHub critique of the movie version of Inferno by poet Mary Jo Bang was spot on. Excerpts below. Full article here.
Mary Jo Bang Takes in Tom Hanks on a Friday Night in Missouri
November 17, 2016 By Peter Nowogrodzki
Inferno is Ron Howard’s latest attempt to breathe cinema’s magical, animating life-force into the cold corpse that is Dan Brown’s body of writing.
Howard’s film managed to debut at #1, grossing some $5.5 million dollars on its opening night (October 28)—but then, in only one week, reality kicked in. Box office returns plunged by 66.6 percent, a funny little statistical coincidence that is maybe as interesting as anything that happens in the screenplay.
But wait, I know what you’re thinking . . . Is there any actual relationship between Dan Brown’s Inferno and Dante Alighieri’s Inferno, other than the shared title and the authors’ shared birth sign (Gemini)? Who would win in an arm wrestle? Why aren’t we talking more about Moonlight? Or the election?
To get to the bottom of these questions, poet and academic Mary Jo Bang kindly took in the film at 6:30 on a Friday night in Missouri. She’s shared her thoughts below. Continue reading
Op-Ed by Dan Burstein
“Some days our presidential campaign can seem like Dante’s Inferno,” President Obama said to Prime Minister Matteo Renzi during the Italian leader’s recent White House visit. Obama’s remark about the Clinton/Trump campaign was in the context of a slew of references to cultural icons aptly chosen for the Italianate occasion, but there is more to the Dante reference than just a random allusion.
Dante and his imagery of Hell figure heavily in Inferno, the Ron Howard/Tom Hanks film that opened last month based on Dan Brown’s 2013 thriller of the same name. Scholars cringe over Dan Brown’s misappropriation of Dante in his pop culture stew—and are undoubtedly cringing even harder at the movie version. But the novel and the film contribute to bringing Dante back into the public conversation. And that is a good thing, especially if that public conversation reaches our nation’s political leadership in Washington.
An actor who dresses up as Dante and recites the Divine Comedy near Dante’s family home in Florence. Photo by Julie O’Connor.
Re-reading the Divine Comedy myself a few years ago for the first time in more than four decades, I was struck by how important a political epic it is. Known in history primarily for its poetic artistry, theological arguments, and role in encouraging the shift from Latin to vernacular Italian, Dante’s master work is also a major commentary on political leadership and mis-leadership. Democrats as well as Republicans, the White House as well as the Congress, and even the Supreme Court, would all do well to revisit it at this historical juncture. Continue reading
Among the curious coincidences surrounding the release of Inferno, the Ron Howard/Sony/Tom Hanks film version of Dan Brown’s 2013 novel of the same title, is the fact that Netflix is premiering another inferno today—Werner Herzog’s documentary Into the Inferno. The big budget Ron Howard Inferno has so far garnered pretty weak reviews, but so too has the Inferno from Herzog, the ultimate indie/arty director. Respective reviewers have questioned why Tom Hanks would risk the fire of the critics to be in a movie this confusing and bad, and what the narrative connection is among all the fires Herzog pursues as he travels around the world in search of erupting volcanos.
Tom Hanks and Felicity Jones in Inferno
One of the more wickidly insidious critiques of Ron Howard’s Inferno comes from a fictional, parody version of Herzog himself, presented by Flavorwire’s Jason Bailey as if the webzine had landed Herzog to write a critique of the “other” Inferno opening on the same day. Continue reading
In the Inferno book, as well as in interviews Dan Brown gave at the time of the book’s publication in 2013, the mega-selling author is clearly undecided on whether Zobrist is as evil as he seems. Yes, Zobrist is made to look utterly evil, but his plot is aimed at warding off a real and looming danger, at least in Brown’s mind: the challenge of increasing human population and decreasing global resources for food, energy, etc.
At the end of the book (spoiler alert), even after Robert Langdon (Tom Hanks in the movie) has heroically attempted to foil Zobrist’s infertility-inducing plague, Langdon himself has mixed feelings about the morality of his own attempted intervention. Since Brown (and now Langdon, after all he has learned) favors taking steps to curb overpopulation, will the success of Zobrist’s plot turn out to be a secret gift to humanity, just as Zobrist envisioned? Continue reading
Tom Hanks portrayed Chris Wallace as moderator of the third presidential debate on a “Saturday Night Live” sketch. Credit Will Heath/NBC
Tom Hanks, who is reprising his role as Robert Langdon in Inferno, the third movie to have been based on one of Dan Brown’s books, has had some interesting political comments to make about the mad scientist/biotech billionaire anti-hero Bertrand Zobrist, and the character’s implied similarities to a certain 2016 presidential candidate who is also said to be a billionaire.
In a recent AP interview carried by The Seattle Times and other papers, Hanks commented on the thread of similarity he sees between Zobrist and the Republican presidential nominee, particularly about the dangers of seeking simple solutions to complex problems: Continue reading
With the movie version of Dan Brown’s 2013 bestseller Inferno set to open October 28, we are mindful of a plot-worthy confluence of time, character, and circumstance.
Ben Zobrist, of the Chicago Cubs, and Ben Foster, who plays Zobrist in the new Inferno movie.
In doing the research for our own 2013 book, Secrets of Inferno, we looked into the derivation of the name given by Brown to his fictional evil biohacker, Bertrand Zobrist. While many of the character names in Brown’s Inferno (and indeed, in all Brown’s books) draw on obvious allusions and namesakes, Zobrist baffled us. The only well-known person we could find named Zobrist was the baseball player Ben Zobrist, now with the Chicago Cubs. So is it mere coincidence or an eerie prediction by Dan Brown that the Cubs would be in the World Series for the first time in 71 years, with a player named Zobrist in the lineup—in the same week that the movie Inferno has its premiere?
According to well-informed Hollywood sources, British actress Felicity Jones is being romanced to star as Sienna Brooks in the film version of Dan Brown’s 2013 novel, Inferno.
Close readers of the novel (and those who followed our book, Secrets of Inferno) may be aware that Sienna’s actual first name is supposed to be Felicity. Her full name, Felicity Sienna Brooks, generates this character’s transhumanist code name, FS 2080—which becomes a key plot trick in Brown’s Inferno. In transhumanist style, the initials derive from the first and middle name and the numbers derive from the year in which that person would be one hundred years old. (Felicity Sienna Brooks is said to be born in 1980—thus the 2080 part of her code name.) The fictional character is just slightly older than Felicity Jones, who was born in 1983. Continue reading