Dan Burstein and Arne de Keijzer have been unearthing the facts behind Dan Brown’s fiction since 2004 when their first book in the Secrets series, Secrets of the Code, spent six months on the New York Times bestseller list. I have not read any of their previous offerings, but I thoroughly enjoyed reading Secrets of Inferno in which they analyse Dan Brown’s Inferno (read my review of that novel here) which came out in May of this year.
Before I get into the review a bit of full disclosure. I’ve always scorned at the idea of companion-books based on a work of fiction. When C.S. Lewis’s Chronicles of Narnia experienced an upsurge in popularity with the release of the first film Christian bookshops were flooded with books explaining all the parallels between Lewis’s fiction and the Biblical tale. I saw it merely as people without their own ideas trying to make money off Lewis’s work. (In case you were wondering, I’m not a fan of fan-fiction either.)
Then I started noticing the various books about Dan Brown’s and other authors’ fiction. Needless to say, I was not drawn to these books at all and left to myself I would probably never have bought Secrets of Inferno had I noticed it in a bookshop. Luckily, just like with Brown’s Inferno, I received it for free, but unlike that book, with this one I was pleasantly surprised.
If you think this book simply consists of Brown-bashing, think again. Burstein and De Keijzer have assembled a team of experts from various fields touched upon in Brown’s Inferno who manage to give a very balanced view of his novel while also giving readers more insight into their respective areas of expertise. There is a bit of Brown-bashing, though, if you’re into that…
The very first essay by Burstein makes it very clear that Dante and his Divine Comedy will play a big role in the coming discussions, and almost the entire first half of the book is devoted to this topic. Aside from Burstein himself, various experts on Renaissance literature, art and history give their take on Dante’s epic poem and Brown’s use of it in his novel.
What struck me about this section was the passion with which almost every contributor spoke of the Commedia. Needless to say, some take issue with Brown’s treatment of this work, but then there was also the highly enjoyable and interesting essay by Professor Glenn W. Erickson who argues that one could very well see Brown’s Inferno as a modern parody of Dante’s, which would imply that Brown actually understands it much better than it would appear at first.
The second section focuses on some of the issues raised by Brown in his novel. It mainly consists of interviews with experts from the fields of population studies, future studies, emerging technologies and epidemiology and virology, as well as two influential members of the transhumanist movement, Humanity+.
While most of the interviewees seem to disagree with Brown’s interpretation of humanity’s current state, De Keijzer also interviews Paul Ehrlich, author of the controversial book, The Population Bomb, who might very well have served as partial inspiration for Brown’s antagonist, Bertrand Zobrist. While still mostly interesting, I did not enjoy this section as much as the first, but that’s probably just because the interview-format doesn’t really appeal to me. However, this section is invaluable for those interested in the actual science which lies behind the fiction.
Section three contains just two essays. The first is by David A. Shugarts, Dan Brown expert and a regular contributor to the Secrets series. Shugarts climbs into Brown’s Inferno with gloves off and highlights some of the things Brown either missed or ignored regarding his locations and their histories, as well as factual errors, writing slip-ups and inconsistencies in the novel. The second essay is by Cheryl Helm who shares how she joined the treasure hunt to decipher Brown’s clues which he released prior to publication of the novel. While it was interesting to read, it was a bit abstract for me as my edition of Inferno had a different cover from the one with all the clues.
In the final section we revisit Dante’s Firenze, including some beautiful photographs by Julie O’Connor, before Burstein closes with a final essay where he reflects on the moral message of Brown’s Inferno, that, “The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis,” as well as some of the other references and allusions Brown makes to both Dante’s culture and his own.
While one or two of the essays might be considered a bit too academic for the average reader, Secrets of Inferno is a relaxing read overall and is well worth the time whether you’ve read Brown’s Inferno or not and whether you’re a fan of Dan Brown or not. (For Dan Brown fans I should add that this book contains significant spoilers of Brown’s Inferno, so be sure to read that first.)
If you’re not a fan of Dan Brown, Secrets of Inferno will probably not turn you into one, but at the very least it might convince you to read Dante’s Inferno (and Purgatorio and Paradiso) which I think would satisfy Messrs Burstein and De Keijzer. I know it has convinced me.
Have I piqued your interest? You can read an excerpt on the website of The Story Plant where you will also find a list of all the contributors as well as links to all the major online retailers stocking this title.
Update: Since posting this review the Secrets of Inferno blog has also gone live. Go check it out for more facts on Dante, Florence and Dan Brown.
Review based on free copy received from the publisher.
For more information on KokkieH: http://kokkieh.wordpress.com/